Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Wednesday, March 4, 2015

AVENGERS: AGE OF ULTRON Interview Round-Up Post!

It's probably too early to do a round-up post for the AVENGERS: AGE OF ULTRON interviews as I'm sure we'll be getting more over the next two days now that movie bloggers are able to post their set interviews. But there are already a bunch of them out there (nearly all of which contain the same content, really), so I've decided to try and compile them.

Again, as most of these interviews were conducted during the same session, the content will not vary much by blog. The only thing that may vary is the wording.
I was going to do a big summary post, but honestly? There's a lot to cover in these interviews, and there are some potential spoilers that I'd rather not post here as I know there are people that want to try and go into this movie as blind as possible. (I've spoiled myself on accident enough to know how annoying it is to stumble upon spoilers.) So, instead, I'll post a few lines that I think are worth reading:

After the events of CAPTAIN AMERICA: THE WINTER SOLDIER, S.H.I.E.L.D. is no longer around to really give these guys orders or to back them up. Speaking on this matter, Chris Evans went on to talk about how Captain America really steps up as a leader in this movie: "“The team doesn’t have anyone to report to now,” Evans points out. “There’s no more S.H.I.E.L.D., so we’re all kind of depending upon one another. But that gives him an opportunity to take more of a leadership role, since there’s no one else giving him orders, he doesn’t have to question the chain of command or anyone’s motives, but it does mean he needs to rely on his team a lot more. It’s added a little bit more tension to the actual dynamic of the Avengers.”

One of the biggest differences between the first AVENGERS movie and this movie is the increase in the main cast. Joss Whedon spoke briefly about what it was like working on this movie with the larger cast this go round: "They’re very disparate characters. The joy of the Avengers is they really don’t belong in the same room. It’s not like the X-Men who are all tortured by the same thing and have similar costumes. These guys are just all over the place. And so it’s tough. Honestly, this is as though as anything I’ve ever done, and I haven’t worked this hard since I had three shows on the air."

And finally, Fandango breaks down seven things Chris Hemsworth told them about AVENGERS: AGE OF ULTRON.

Sources are all listed above!

Tuesday, March 3, 2015

Mike Colter Talks LUKE CAGE!

During an interview with IGN for the upcoming release of HALO: NIGHTFALL on Blu-Ray and DVD, Mike Colter talked about LUKE CAGE for the first time.


He goes on to say that the show will be "geared towards an adult audience", which is something that should be expected. DAREDEVIL has already received a TV-MA rating, and it has been expected that the rest of the shows would do the same.

LUKE CAGE is expected to hit Netflix in 2016 along with IRON FIST.

Random note time: I know some fans are still begging for Terry Crews to be Luke Cage, but Mike Colter is a good actor, and he's going to nail this role. (If you doubt him, watch him on THE GOOD WIFE - he's excellent.)

Source: IGN.

Monday, March 2, 2015

AGENTS OF S.H.I.E.L.D. Mega Post!

Today was a pretty busy Marvel day. Not only did we find out who'll be writing and directing the next SPIDER-MAN movie along with getting a new character poster, but a whole bunch of AGENTS OF S.H.I.E.L.D. goodies were also released.

Because a lot of AGENTS OF S.H.I.E.L.D. stuff hit the web, I've decided to make a single post to try and make it easier for everyone.
First up is Entertainment Weekly:

This is easily the best interview that came out today, mainly because newcomer Luke Mitchell comments on his character, and what he has to say proves to be interesting. If you'll recall, in a recent interview with HitFix, he wasn't able to say much of anything - seriously. So it's nice to learn more about Lincoln, and how he'll fit in on the show!
As Skye copes with what her new change means, she’ll soon find some assistance from fellow Inhuman Lincoln (Luke Mitchell). “He helps Skye adjust to her new powers in a way that makes her more comfortable with them,” Bennet says. “And they might like each other at some point… He’s going to be a breath of fresh air to the show and change things up. He brings on a whole other part of the show that people are going to be excited about. His powers are dope!”
“He’s reasonably confident in his own abilities,” Mitchell coyly adds of Lincoln. “He’s quite knowledgeable and very enthusiastic about the whole Inhuman thing.”
Despite this new change, executive producer Jed Whedon stresses that she’s still the Skye we’ve come to know and love over the last two seasons. “Her dad thinks she’s Daisy,” he says. “We’ll see if she ever gets to the point where she believes that that’s something that she would want to call herself. But right now, she has her own identity.”
Moving onoto comicbook.com's intereview with Clark Gregg! 

As the mid-season finale showed, while we know that Skye is now Daisy and that she is now an Inhuman (along with Raina), the characters on the show don't know this yet. The second half of season two will basically serve as an "origin" story for Skye/Daisy, and over the next couple of episodes we should see how all of this effects her team.

Gregg had this to say about what happens next: "We don't quite know what happened. And yet something clearly happened, and that's really the tension of the first couple episodes back is what happened to Skye. This is one of the things that I've liked most about this season in that that relationship got so tight by the end of last season and only more so this season. And yet, she's risen to a place where she's one of the most effective agents he has. And so he's put in this position where she's a daughter to him. She's the closest thing to a daughter. And what bonds them is their dedication to this cause, whereas head of S.H.I.E.L.D., he doesn't get to be quite as touchy-feely as he was season one. He has to make choices that are simply for the greater good that S.H.I.E.L.D. provides which is protecting the world from the strange, the weird, the line that Joss wrote in the pilot. And it means putting her in dangerous situations. And I think it makes him feel very responsible for whatever's going on with her."

You can read the rest of the interview by following the link above. It's rather short, but Gregg's answers are lengthy. 
While on Larry King Now with Elizabeth Henstridge, Iain De Caestecker and Brett Dalton, Dalton explains Inhumans to Larry King. The cast also has some fun goofing off. I can't embed the videos, so you'll have to head to the source to watch them.

TV Line has a rather lengthy interveiew with Chloe Bennet. She teases how Trip's death will impact her character, the Inhumans, Raina's transformation, and SkyeWard.
TVLINE | The showrunners told me that Trip’s death will weigh heavily on both Skye and the team at large.
Yes, [BJ Britt] was a dear friend on and off screen, so it wasn’t too hard for us to get to that point of being really upset that he’s gone. So, yeah, everyone is really mourning that loss — especially Skye. She feels a huge responsibility for his death, considering that he went in to save her and I came out with these powers. It’s going to be weighing on her for the better part of the rest of the season, if not forever.
TVLINE | Does the term Inhuman already exist in this universe, or is it coined in the course of diagnosing Skye?
That’s something that we address a little bit later, as we see some more characters get introduced. Let’s just say that the show gets much “broader.”
TVLINE | And how would you tease Raina’s own reaction to the Terrigen Mist?
She for her whole life has been waiting for this moment, and really has done anything to get to the point where she is able to turn — but Skye really could not have cared less, so things went in an “interesting” direction for both of them. [Laughs] I would not have wanted that response [that she had], let’s just say that!
 Edited to add another Clark Gregg interview. I'm not sure how I missed this one, but I did. Oops!

AGENTS OF S.H.I.E.L.D. returns TOMORROW night on ABC at 9PM EST, be sure to tune in!

Saturday, February 28, 2015

Chris Hemsworth Talks AVENGERS: AGE OF ULTRON!


With the release of AVENGERS: AGE OF ULTRON only two months away now, Marvel is starting to open up a bit more about the upcoming sequel. Not only have they started giving us character posters for the movie, which are apparently leading up to a "big announcement", but they've also given sites the go ahead to start posting their set visit interviews. First up is Chris Hemsworth, who plays Thor.

Hemsworth talks about reading the script for the first time, what Thor brings to the table in this sequel, how Thor's time on Earth has changed him, the dynamic of the team, and the addition of Quicksilver and Scarlet Witch.

Now, if you're trying to avoid spoilers for AVENGERS: AGE OF ULTRON, I would highly suggest you skip this interview as it does contain possible spoilers!

Also of note: There are a few typos and errors in the article below. The article remains as it was from Marvel. My apologies.
Chris Hemsworth, who has played the Mighty Avengers since Marvel’s “Thor” in 2011, wields the hammer for a fourth time in the film. According to the actor, “Avengers: Age of Ultron” continues to raise the stakes in the Marvel Cinematic Universe without going too big to lose sight of its grounded conflicts, all courtesy of writer/director Joss Whedon.


 “Coming off of ‘Thor: The Dark World’ and ‘Marvel’s The Avengers,’ I couldn't wait to read this,” recalls Hemsworth. “I just loved how it upped it in a way that wasn't just bigger and flashier. Everything had been amplified, but in an intelligent way. All the stories are relevant to what's going on in the world, as far as the exponential growth of technology and artificial intelligence, and then [you add] the questions of good versus bad and the AI world.
“He's [also] managed to bring all of the Avengers back in and give them a relevant reason to be there, [with a] justified conflict. I mean, it's a tricky balance. I'm glad I'm not the one writing the thing and having to pull that off.”

Thor’s relationship with his brother Loki, the villain of “Marvel’s The Avengers,” proved one of the driving forces of that film. Now, Thor continues to bring a different perspective to the central conflict.

“We pick up with Thor having stayed on Earth from ‘Thor: The Dark World,’ establishes Hemsworth. “He's part of the team. This is his home for the moment. The initial attack from Ultron is personal because it's at all the Avengers, and Thor then begins to see a bigger sort of picture here about what this threat could be potentially. And it begins to tie in to all of our films. It’s hard to say too much without talking about what I can’t talk about.

“It would be easy to fall into [a model of], ‘They're all just there because we're all contracted and [we] look cool if we’re standing in the same room.’ I kept saying to Joss, ‘Okay, what do I bring to the table, besides Thor being one of his foot soldiers and the muscle and the fight scenes? What is his knowledge he can bring to it? What information can I bring?’ So [Thor] calls upon some of his guardian knowledge and is able to go into another realm to pull out some information that's hugely useful [and] certainly benefits where they are at that point.”


Given that the Avengers face a larger threat than ever before, either as a team or individuals, that knowledge Thor can access may give them the ability to stop the menace of Ultron before it gets too large to handle.

“I think he openly admits he doesn’t think we can win this one,” admits Hemsworth. “The threat is so great that all of them are scratching their heads wondering if this it. It's just an onslaught, and it doesn't stop.  It's a floodgate, and it could also set in motion is an even bigger threat. I think that's what Thor’s stuck on, or where his attention certainly is. An even bigger picture of Thor being from Asgard where he can just say, ‘Hang on, there's a whole universe here which is signaling something else.’”

Thor’s time on Earth has also given him a new layer, one that Hemsworth happily embraced.
“He’s loosened up a bit,” Hemsworth says of his character. “This time there's more humor in Thor, because he's been on Earth, [and he’s] a little more accessible now. He's off Asgard now, so he doesn't have to be as regal and kingly as he is in that world, which is nice. I enjoy that more. Here you can have a gag with the guys and he can throw away lines and be in a party scene with them in civilian clothes.
“I walked on set [for] a party scene, and I was in a nice coat and jeans, and the guys just kept joking, ‘When did Thor go shopping? Did he buy this online or did Jane do it, or did he actually go shopping?’ The question’s raised because he's not dressed in his own guardian attire. He's more human in the film, definitely.”
In the time since the Avengers’ first adventure, the team has bonded considerably since their conflict-ridden early days—but that doesn’t mean some of our heroes won’t still butt heads.


 “We're not as conflicted [as a team] as we were before,” promises Hemsworth. “[But Thor] has a pretty solid battle with Iron Man in this one, which is cool. It's a lengthy fight scene of destruction.”
Another source of friction comes from some of the new characters introduced in “Avengers: Age of Ultron,” Quicksilver and Scarlet Witch. Adding the super powered twins helped to keep them from falling into too much of a familiar rhythm, in Hemsworth’s eyes.
“It shakes things up,” he elaborates. “In the individual films, you get comfortable. You get into a rhythm or a routine, and you think you know it until there's a challenge and you think, ‘Oh, yeah, that's right, there is another option here.’ We keep changing it and mixing it up. This new cast breaks the familiar rhythm that we may have and makes it a bit more unpredictable. We're lucky, to actually want to come back and work with these guys and hang out again and pick up where we left off is a pretty special thing.”

In one sequence, the Scarlet Witch unlocks a number of the Avengers’ worst fears, plunging them into a nightmare world—something that will help open Thor’s eyes to the larger threat.
“I think [the Avengers] will begin to have their fears held up in front of them,” promises Hemsworth. “For Thor, I think it's a corruption of power. Trying to have the understanding that we're in this endless battle here and wondering when this is going to end, and how does it end. That's where he really starts to kind of move through the story. Once that dream occurs, he can see what's coming. It’s a ticking clock.”
You can also read more from Collider and MTV on their visits to the AVENGERS: AGE OF ULTRON set. I should warn you though, all of the articles will be nearly identical in content for these set visit interviews, but the MTV one at least comes with GIFs.



Source: Marvel.

AGENTS OF S.H.I.E.LD. Mega Post!


With AGENTS OF S.H.I.E.L.D. officially returning this Tuesday, March 3rd, expect a ton of interviews and tidbits to start making their way out.

In this mega post we have an interview that IGN conducted with Clark, some "spoiler room" bits from Entertainment Weekly, an interview that HitFix conducted with Chloe Bennet, and finally, an interview with the show's Executive Producers from comicbook.com.


Let's start with the interview with the Executive Producers over on ComicBook.com. Marvel and ABC invited the press to speak to cast members as well as the executive producers about what fans can expect with the second half of season two. They will be rolling out those interviews over the next few days.

In their interview with Jeph Loeb, the head of Marvel Television, and Executive Producers Jeff Bell and Jed Whedon, they talk about Ward, what Raina has become, the introduction of the Inhumans into the MCU, and a bit more.
On Raina and what's she's dealing with moving forward. 
Jeffrey Bell: Raina's a character who seems to have gotten everything she every wanted through the first season-and-a-half. She successfully manipulated or moved everyone quietly, efficiently to get what she wanted. When she finally got what she wanted, it turned out to be that, which wasn't what she wanted. So we thought it was interesting to take a character who sorta had always succeeded and giving them an apparent setback and see how the character reacts in those situations.
Jed Whedon: And also she's clearly someone who feels that she always has control over any situation, partially because of her ability to charm and that's maybe taken a hit. Harder to charm when someone's like, "Ow, you're poking me."
On the introduction of the concept of Inhumans and what it means for the larger Marvel Cinematic Universe. 
Jeph Loeb: I've said this before and that is that people look at the Marvel red box and they perceive it as this giant octopus that's going to swallow up the entire galaxy. But, in fact, what we are is a very small company and that was never more clear than when we were doing "Carter" and Kevin Feige and Lou D'Esposito were actually part of that on a day-to-day basis. We talk all the time, whether it's publishing or whether it's games or it's movies or it's film and so this is just part of that process. It's very exciting for us to be able to be telling this particular story, but like with anything else, we're telling S.H.I.E.L.D. stories that existed both within the world of the movies and has its own mythology to it and opens up all kinds of doors for us. I think that's sorta the best way to look at it.
Jeffrey Bell: Piggy-backing on that, it's not so much that we have to explain it. By just having it be in our universe over time, it will become something that people understand and that resonates, so I think it's much more about that than us having to lay pipe or anything.
You can read the full interview by heading over here.


Moving on to IGN's interview with Clark Gregg, which is a bit more informative than the rest of the interviews I've come across so far (which, given this is Marvel, isn't much):
IGN: So much happened in the midseason finale, a lot of which right now, your character is not even privy to. He didn’t see any of that…
Gregg: How do you point that out to people? [Laughs] They keep going “How does Coulson feel about Quake?” And I was like, "He doesn’t know any of that!" He doesn’t even know that she’s been transformed. They haven’t even connected these earthquakes to her yet, when we left them. So I think people can expect that the first couple episodes back, at least, are kind of about that mystery and what happened in there. How responsible is Coulson for taking her there and how responsible does she feel for Tripp’s death and how responsible does Coulson feel and what are the effects on the team?
IGN: You’re like us with this stuff! Inhumans are a huge deal and fans are really excited. Are you excited that you get to introduce this major facet into the MCU?
Gregg: I am. It’s just a part of the world that I really love. I always clicked the most with the stuff that feels the most… all my favorite sci-fi, all my favorite comics, they were always about stuff that felt like a way you could look at stuff that was too hard to look at in real life. There’s a way that stuff like the Inhumans… Whether it’s in X-Men or whether it’s inhumans, they always represented people who evolved in a different way where some of them were outcasts or treated like something was wrong with them and yet, perhaps, in many ways represented a vital new part of what we’re supposed to be. You can’t read the news or watch society change without seeing fertile ways that that represents who we are. All the ways that you watch the headlines, and people are part of super secret organizations slaughtering people on the street... It makes the kind of fight to protect us from them something that’s not just a fantasy comic world but connects to real life. Inhumans are a really important part of that for me. I’m really excited to see how they use that part of it on our show. It’s one of the things that’s fun about being on this show. When you understand what it is, you see Winter Solider and it’s “Agents of Nothing.” Right when you think you know what that is, there’s the attack at the end of the season and he can’t stop carving [symbols]. It keeps adding new elements to it. That said, we’re at nine o’clock, with a darker tone - less ICERS, more bullets. I think it’s finding its way to be more and more; its own central self that can withstand having things brought into it.
IGN: You were there at the ground floor with Iron Man, and so you saw how it grew and grew, this whole universe. Now at this point, where there’s so much -- multiple TV shows, multiple films -- is it kind of amazing for you to be able to be part of it but also be a fan and to see Agent Carter and Winter Soldier and these other things, where you’re a part of the same world?
Gregg: Absolutely. I can’t wait to see Ultron. I loved going to see Winter Soldier. Especially to go see the next chapter of a movie that I was in the first time, I love the people involved. I can’t wait to see those actors go to the next place. I love Lizzie Olsen. I’ve done a movie with her. We have some New York connections. To see some of those actors added to that mix… There was something really bonding about making the first Avengers, doing all the press for it, I can’t wait to go see that and see where it goes next. And I like that I’m still connected to it in a way. In recent months, Robert and Jeremy have been really cool about being vocal about wanting to see Coulson again whether it’s on my show or one of their little shows and I hope that comes true.
You can read that entire interview (and you should) by heading over here.


The most interesting interview to pop up over the past couple of days has to be the one from HitFit with Chloe Bennet. It's the most interesting because HitFix has stated that Chloe did her interview with Luke Mitchell, who has recently joined the show as an Inhuman named Lincoln, but they've gone on to say that he couldn't say anything during the interview. It isn't something that should be unexpected, but it's still something that makes you more curious about Lincoln.

Here's a small bit from Chloe's interiew with HitFix:
"It’s really cool because the day I found out was the day they announced all the movies, or like the day after," Bennet recalled. "I was like, ''The Inhumans' movie? Who’s going to be in that one?!' I’m really excited. I don’t know. Obviously, I don’t know anything. If I was going to be in those, they’d tell me like the day of."
You can read the rest of the (short) interview by heading over here.

Entertainment Weekly also revealed this little tidbit as part of their Spoiler Room Scoop (here's the link to that):
TV Guide also posted this fun video of Clark Gregg using emojis to tease the return of the show. I can't get the video to work on Blogger for some reason, so you'll have to head over to here to watch it.

It also looks like we now know the titles for episodes 12 through 15.
And finally, some of the cast headed out to promote the show on various talk shows. Elizabeth Henstridge stopped by Jimmy Kimmel live, where I think she was supposed to promote the show but they never really talked about the show? While Ming Na Wen stopped by The View and GMA.


Don't forget that AGENTS OF S.H.I.E.L.D. returns on Tuesday, March 3rd. As usual, I will be live-tweeting the premiere over on Twitter. Feel free to join in!

Thursday, February 26, 2015

AGENT CARTER Interview Round-Up Post.


We still don't know if AGENT CARTER will be getting a second season, and given that ABC doesn't do renewals until May, that won't change for a couple of months yet. (Keep in mind: the ratings haven't been great, so it's still a toss-up as of right now.) This hasn't stopped the showrunners from talking about where they'd take the show in season two, including the possibility of touching on the Winter Soldier.

While talking with Zap2it, Tara Butters, one of the showrunners, talked about what she was most proud of from season one, the Zola cameo, and more!
 Zap2it: What do you think your biggest success from Season 1 was?
Tara Butters: I'm very proud of the overall arc we told. I feel like we were able to explore Peggy's character and really see a forward progression, from where she starts in the pilot as someone who is still having difficulty finding her place in the world and to where she ended in [the finale] "Valediction." I feel like you can see the character growth over the eight episodes.  

Can you share the status of Season 2?
You know, the fact of the matter is ABC is kind of notoriously late in their pickups. We'll sweat it out probably for the next at least month, if not a little bit longer, till they decide what they're going to do. I wish it wasn't the case, because the fact of the matter is any time you're building these large, serialized arcs, the more time you have in the beginning makes it so much better in the end because we can really plan things out.

Would you want to see a change in the episode order, or did eight episodes feel right to you?
I think this is a show that lives in the short order. I don't think it's a 22-episode show. I would love to see around 13 episodes. That would be my ideal because I feel like we could absolutely have done more episodes. The storytelling is there.
 
At the end of this season we see Toby Jones' Zola as a hint at what's to come with HYDRA and the Winter Soldier project. Is that just a tease, or is that something you plan to explore more in Season 2?
All of that stemmed out of an early conversation we had with Marvel Studios where we pitched out the season, and we obviously used Dr. Fenhoff, who is a villain from the Captain America universe. They were like, "Oh, his hypnosis could lay the groundwork for the mind control for Winter Soldier." It was like, "Oh, well, that would be great. Wouldn't it be great if we had him meet up with Zola?" It was sort of one of those things where you kind of say, "That would be really cool." And then you go, "Well could we really do that?" 

What I love about it is it really does place us into the history of the MCU in a really interesting way that continues to play out because of the "Captain America" movies. It gave a value to the series that I really love. Moving forward, absolutely there is that opportunity to explore that more, but at the same time I don't know that I would want it to be the thrust of the season either. We should be open to exploring another villain, another situation and it would be nice to touch on it here or there.
Variety was able to sit down with both Michele Fazekas and Tara Butters and discuss the final scene with Peggy in season one, how much they have laid out for a second season, and more:
 I love that you chose to end the episode — not counting the stinger — with Peggy saying goodbye to Steve. It was such a poignant place to end Peggy’s arc when we’ve been conditioned to expect big twists and high drama in an episode’s final moments. Did you always know you wanted to go out on a more grounded, emotional note when you were breaking the season?
Fazekas: I think that was a very early idea, that that would be the conclusion of her personal arc for the season — that in order to move on with her life, she had to let Cap go. So when she’s talking Howard down out of the plane, she’s talking to him, but she’s also talking to herself. And I think even [executive producers Christopher] Markus and [Stephen] McFeely had always said, “she destroys the last bottle of blood,” which makes perfect sense to me, because she could keep it, hole it up, hide it in another wall somewhere — and I think part of her wants to — but it’s more important for her to protect him than hold on to him.

Does that farewell scene represent a true sense of closure for Peggy, as far as Cap’s concerned? Would we see less of an emphasis on him in a potential season two, despite how much she’s clearly always going to love him?
Butters: I think he’s there to complicate her life when we need him.
Fazekas: But yeah, it does naturally follow that if she’s letting him go, she does have to let him go. But it also opens up all these other avenues — we even see it when Sousa asks her out.
Butters: Did you notice what he did with the crutch?
Fazekas: It wasn’t even written this way — he leans the crutch against his desk and takes a couple of steps away from it so he’s just standing in front of her without the crutch before he asks her out. It’s such a little thing but it speaks volumes. So he asks her out, she’s clearly touched by it — Hayley was lovely in that scene — but she says “I have other plans,” which she does. But she gives him — and he doesn’t see it; he’s heartbroken — but she gives him that little smile at the end of the scene, which to me says she’s open to this; either with Sousa or with someone else. For the first time, she’s open to considering, “maybe I need to have that part of my life happen also.”

Angie now knows the truth about Peggy — would you foresee her trying to get more involved in Peggy’s world going forward, or would you hope for her to remain the more grounded point in Peggy’s life? Despite Lyndsy Fonseca’s ass-kicking credentials, I kind of love seeing Angie as this tether for Peggy, to keep her connected to the real world and a few more mundane problems.
Butters: I agree, I don’t think Angie’s ever going to become a super-spy. I’d rather her be the person who’s encouraging Peggy to go on a date.
Fazekas: The person that Peggy can confide in. And now on a much more authentic level. Which isn’t to say that there isn’t fun to be had in Angie using her acting skills on the job… But no, I don’t see her ever getting heavily involved in the SSR; that’s not what I like about that character.
I don't know about all of you, but I'm hoping that the Live+7 numbers and sales numbers (season one is currently #18 on iTunes!) are enough to get us a second season. I love what they managed to accomplish within eight episodes, and I feel like it really is the perfect show to fill in the gap while S.H.I.E.L.D. is on hiatus.

Source: Zap2it & Variety.

Wednesday, February 25, 2015

AGENT CARTER Mega Post!

With the season one finale of AGENT CARTER having finally aired last night, a ton of new interviews have been hitting the internet today. In order to try and make it easier to catch-up on interviews you may have missed, I've decided to make one mega post.

If you are NOT caught up with AGENT CARTER, you should really, really, really stop reading this post. Right now. I don't want to spoil anything for you, and you're not going to want that final scene spoiled, trust me.


Last night's season one finale of AGENT CARTER was fantastic. It was well-written, wonderfully acted, and a wonderful bit of closure for Peggy's story if we don't get a second season. The most exciting part of the episode, however, was the surprise cameo at the very end of the show - one that connects the show to both CAPTAIN AMERICA: THE FIRST AVENGER and CAPTAIN AMERICA: THE WINTER SOLDIER. Dr. Arnim Zola, played by Toby Jones, appeared in the final scene of AGENT CARTER season one!

Here is what the CAPTAIN AMERICA movie writers had to say about the cameo and what it means!

ENTERTAINMENT WEEKLY: How did the idea to have Toby Jones appear in the finale first come together?
STEPHEN MCFEELY:
We’ve wanted Toby Jones to appear since we pitched this show. We did not know exactly where it would happen or where he was on his timeline, but we always wanted to show you how Hydra started it’s [reach within S.H.I.E.L.D.]
CHRISTOPHER MARKUS: People having seen [Captain America:] Winter Soldier know what happens to S.H.I.E.L.D., so we didn’t want to deal with that as a plot point because it’s a given, but just to give them a delicious little taste of the story that they know happen. Also, it has become clear weirdly that there are four characters who span the entire marvel Cinematic Universe: Steve, Bucky (Sebastian Stan), Peggy and Zola. We wanted to see Toby’s body again.
MCFEELY: We just saw his head last time.
Was this also your way of saying this is leading to the Winter Soldier program since Dr. Faustus works in mind control?
MCFEELY:
Yes, I think it is safe to say there is a connection.
MARKUS: It’s a bit of a convoluted timeline in that in the first Captain America, Zola was captured in the same mission where Bucky fell off the train. Theoretically, a division of Hydra—possibly a Russian division of Hydra—went and got the body while Zola was in custody. Zola had already done something to Bucky, and experimented on him that made him beyond human, which allowed him to survive the fall and make him worth doing the research on. They kept him in stasis until Zola was able to have a little bit of freedom from the American government, at which point he maybe brought his new friend Johann Fennhoff to handle the mind control part of the Winter Soldier project.
MCFEELY: That’s how we see it. I’m not positive that is gospel at the moment, but that’s how we sleep at night.
Why was this an important moment to get to since it really links so many other big moments together?
MCFEELY:
The idea that we can link all these movies because we’re the ones writing them allows us to plant stuff that other people might not plant because maybe they don’t care or might not see the connections. Because we have no lives and this is what we do now, it allows us to make important things that people might not find important. Zola wasn’t always going to be in Winter Soldier, but we needed a good way to have this exposition dump in the middle of the movie. We love Toby Jones and thought that would be a great idea. When we got the chance to do the television show, we wanted Toby Jones in that too.
MARKUS: It’s a weird balance of this primal pleasure in the way everything interconnects, but you have to balance that with making the world too small, like only five people are responsible for everything that ever happened. Because this is the Captain America section of the Marvel Universe, it felt valid and more fun.
MCFEELY: It was [showrunners] Tara Butters and Michelle Fazekas who decided to put him in jail. We said, “Let’s have him!” and they figured out where to put him.
Were there other alternate endings you considered when it came to Zola and Faustus?
MARKUS:
The debate is when he went from prisoner to collaborator. In 1946, he was probably still a prisoner, but there was some debate of what side of the bars he’s on.
MCFEELY: Was there a version where he’s wearing a little I.D. badge that says he’s working for the Americans now?
MARKUS: But that made the U.S. government too stupid. [Laughs]
MCFEELY: One could argue that they ought to at least be in adjoining cells, but there are certain practicalities to shooting.
If there is a second season, would you delve into the Winter Soldier program  or is that something you want to keep for the movie side of things?
MCFEELY:
It’s a little TBD on that. Because of what we know about Winter Soldier and that Hydra was working all along with S.H.I.E.L.D., it necessitates Peggy having a lot less information than the audience has, so I’m not sure how long we could keep that up—where every time Toby Jones smiles at her, we know something and she doesn’t. We don’t know exactly what Season 2 is yet, or if there is one, so I don’t have a great answer on how we would use him, if at all.
Does this open up the possibility of seeing Dr. Faustus in the future?
MCFEELY:
He’s easier, yeah.
MARKUS: Anybody who doesn’t die can come back, and even some people who do die can come back, as the movies have shown. It just depends on where we want to go with the possibility of another season. There’s something very appealing about not picking up two days after the first one ended, but taking a jump. We know Peggy lived well into Winter Soldier, so we have that much time to deal with. I don’t think we’d jump to 1980 when she’s 70 years old, but we can move in time, so it’s hard to say who comes back and who doesn’t.
MCFEELY: Let’s be generous to ourselves. Maybe ABC wants to do this again, but do they want to do it for 8, 10, 13 episodes? That will determine what stories we tell.
Is there anything in the first season that you didn’t get to do that you really wanted to?
MARKUS:
When we were figuring out the show and the backstory of the show, we had a really nice story about who Peggy is and where she came from. We just didn’t have any time. I would love to tell that story.
MCFEELY: That’s one of our strongest ideas for the second season: What makes Peggy, Peggy? We like what Peggy is, but if you ask some hard questions, you might wonder: but why is she that way? We have some thoughts on that.
So her pre-Captain America days?
MARKUS:
Yeah, but that doesn’t mean we need to tell [it in] flashbacks.
MCFEELY: It just means that problems from before she even joined the SSR might come back and revisit themselves, allowing you to explore her past.
MARKUS: What—other than tremendous ability and self-confidence—motivates a woman in 1940 to put up with this much resistance and danger? Why that path? Because it’s not an easy one. There are stories to be told.
MCFEELY: Other than that, it’s been a nice combination of most of the things we pitched fell into place. We knew we were going to get Faustus, things were going to go wrong with his plan, he’d have to readjust and get brought into the SSR in a tricky way. He was going to be in Russia and get brought in behind the walls. We always knew Peggy was going to pour Steve’s blood out. That was a big moment for us. We didn’t know where it was going to happen. Tara and Michele pretty cinematically put it on the Brooklyn Bridge. We always thought the idea that Peggy could be the custodian of Steve and have one final chance to say goodbye to him, thus—in many ways—creating the biggest problem of the Marvel Cinematic Universe, which is that everybody wants to replicate Steve’s [abilities]. That’s how you got the Hulk and things like that. We liked the idea that it was on Peggy Carter doing the right thing.
What came with the decision not to delve into the husband storyline since it was such a big hint dropped during Winter Soldier? And do you have a sense of who it is?
MARKUS:
We have potential senses. You lob it off too early and suddenly you’ve got a couple show.
MCFEELY: This was the season where she says goodbye to Steve. I’m proud of the fact that Captain America hovers over this show, but hopefully in an organic way, and we’re not shoving him in there all the time. But we knew by the end that she should say goodbye to him. In a second season, she could be freer to have those conversations about a life after him.
MARKUS: Also, you’re doing a show about this incredibly independent woman and you’re always talking about the man she left behind. It becomes a little contradictory. We know her husband was in the war and he was saved by Captain America. He could be a baker. [Laughs]
MCFEELY: Being saved by Cap could be very tangential.
Should the series not be renewed, would you consider doing another One-Shot?
MCFEELY:
If it doesn’t get picked up, I mean you never know. It would have to be a really perfect 12 minutes.
What do you want audiences to take away from this season?
MCFEELY:
I think a lot of people were surprised by how good it was. It’s clear that Marvel really was invested in her. I hope it’s clear that we and the writing staff were invested in her. I think it’s really clear that Hayley is a very good actress who knows this character backwards and forwards. Whether it comes back or not, I think people will look back on this fondly and say this was well worth it and they got to learn a lot more about a character who holds a resonance throughout the MCU.

Source: Entertainment Weekly!

Marvel also had a chance to talk with Tara Butters and Michele Fazekas, the AGENT CARTER showrunners, about the finale. (They also wrote it!) Butters and Fazekas also talk about the Zola cameo, but they also talked about Agent Thompson and giving him a better sense of humanity.

Marvel.com: In the closing moments of the season, we saw Arnim Zola from the Captain America films make an appearance in the same jail cell as Fennhoff. I was wondering if you could just talk a little bit more about how that came about and what you thought that sort of added to the story.

Michele Fazekas: By my recollection, when we were pitching the story to Jeph Loeb, Kevin Feige, and Louis D’Esposito, there was some worry about if that’s going to bump too much into other Marvel properties. But then Marvel came back with, “Well, why don’t you do it this way?” We gave him, essentially, the power of suggestion--hypnosis. That’s why he’s got his ring, which is like a version of swinging a pocket watch in front of somebody’s face.


They said, “Oh, we can tie it into the Winter Soldier program,” and this is essentially the beginnings of the Winter Soldier program and what happened to Bucky. Of course we went crazy for that. Somebody added on, “Oh, wouldn’t it be funny to get Toby Jones to do a scene.” “Yeah, that’d be great. That’ll never happen.” As we get closer to production with a script, we’re like, “Well, I guess we can write this scene. We’ll never get him.” But then he’s available, and he’s interested, and then we’re talking on the phone with him, and then he’s on a plane. He came and shot the scene, one scene. I would have bet money against it, but it was nice to tie-in the features and the greater Marvel Cinematic Universe more. I also liked that we mimicked the features with the scene after the credits.

Tara Butters: Yeah. I know S.H.I.E.L.D. does a lot of those tag-scenes. We’d never done one with Carter, but it felt appropriate with this story.

Marvel.com: Speaking of ties into the MCU, there was something surprising to me about that last scene with Peggy on the Brooklyn Bridge saying goodbye to Steve, when she decided to dump the blood into the river. What do you think was going through her mind in that moment?

Michele Fazekas: Well, what else would she do with it? She can’t keep it because if somebody gets their hands on it, forget it.

Tara Butters: I also think that, to me, it’s a more personal thing of, yes, the scientists are all saying that this could hold the answer to all the mysteries of mankind--

Michele Fazekas: But to her it’s like you’re using him. You might as well be experimenting on his body, which they already did.

Tara Butters: Yeah, but the idea was that there was only one Captain America. Also, it truly matches what’s already been established in the MCU, that the U.S. government has spent years trying to recreate him and you end up with Hulk.

Michele Fazekas: And now we’re going to have Captain America fish in the East River. [laughs]

Marvel.com: Is that the next Marvel One-Shot? Captain Fish?

Michele Fazekas: Captain America Fish. I think she had to destroy it, and there’s something symbolic about doing it on the Brooklyn bridge. He’s from Brooklyn, and her final act was protecting him.

Marvel.com: Of course. One last thing that I wanted to touch on was Thompson’s decision at the end to take sole credit for the mission and leave Peggy out of it. Was there much back and forth on whether or not he would give Peggy more credit, or did you know that in the end this was the most true to Thompson’s character and who he was?


Michele Fazekas: I actually remember this very vividly from when we had a mini-camp, early on before even our writers started, with [Christopher] Markus and [Stephen] McFeely thinking about Thompson’s journey over these eight episodes. He had that real moment of truth with Peggy in episode five, where he tells her really what happened in Japan. And even in last week’s episode, he’s almost the one that’s the most hurt by Peggy’s betrayal, when he thinks she’s betrayed him. He’s like, “But that doesn’t make sense with what you did in Russia.” So he’s actually struggling with this the most.

But we talked about that moment with Thompson where it’s a moment in your life where what you do here is going to define the rest of your life, and you can either do the right thing or the self-serving thing. And he chooses the path that is self-serving, which is almost worse than anything he’s done in the past because he’s actively choosing, “I’m going to do this thing that I know is bad and I’m doing it anyway.”

Tara Butters: I just think it made him more human. That’s the thing, as much as it may not necessarily be the most heroic moment for him, it does make him more of a real person.

Michele Fazekas: Yep.
Source: Marvel.

Also, cast and crew members from the show have been posting a bunch of behind the scenes photos that are worth checking out:


Jeff Bell Teases Season 2B of AGENTS OF S.H.I.E.L.D.!







Now that AGENT CARTER has completed its first season, AGENTS OF S.H.I.E.L.D. is set to return to its Tuesday spot on ABC starting this Tuesday. And given that the mid-season finale ended with a bang, as the show officially introduced Inhumans into the MCU, it's safe to say fans are eagerly awaiting the return of S.H.I.E.L.D. to see what the showrunners have in store for not only this show, but the MCU.

While talking to D23, Jeff Bell, an executive producer on the show, talked about the first half of season two, as well as what we can expect when the show returns on March 3rd!

D23: The fall finale really felt like a game changer for the show. How do you see the show evolving over the spring?
A: For us it was a huge game changer—one we’ve been planning since the beginning, the idea of taking one of our characters and crossing her over into becoming a person with powers. Everything is different now, as far as we’re concerned.
D23: What made this the right time to weave in the Inhumans?
A: We had been talking with Marvel about this for a long time. It’s an area the movies had not yet gone into, that they do want to get into [Editor’s note: The film is slated for July 2019]. Because as Inhuman comics fans know, it has a fairly complicated genesis and I think we have the time and real estate to reel it slowly in bite-sized chunks. So when the movie comes out, people will have a fairly good understanding of the rules of that world. For us, there’s a character who’s not an Inhuman in the comic books named Daisy Johnson. And we thought she was a perfect fit for Skye. Her not knowing her own backstory and making that her arc over the first season and a half led nicely into that. When we looked at the mythology of Daisy Johnson, her father was Cal, as we have it. But her mother was this sort of unknown Chinese woman who gave us the opportunity to say, ‘Well, what if she had been Inhuman and Daisy got her powers through that side of the family rather than through dead old dad?’
D23: How are you working with your partners at the film division to incubate the story so when the film comes out we’ll see, as we have heard before, “it’s all connected”?
A: It’s something the Studio and Marvel have been doing for years. So we just became a part of that process, which is a lot of communication and a lot of laying things out. When we were looking ahead for season two, we had a wish list of things we thought would be cool and interesting over the course of the season. Everybody involved gets together and we start talking things out—what we can and can’t do, how we can help, things we can set up, things they need set up, things we can pay off. It’s a very fluid process and one that occasionally forces us to pivot rather quickly.
D23: In the comics, Daisy Johnson can cause earthquakes—something it looked like she could do in the teaser for the return of the show.
A: I don’t think it’s a spoiler to say we’re going to continue with the character as her powers were. Whether it’s earthquakes or being able to control and affect vibrations.
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D23: Will Skye still want to be called Skye?
A: I think it’s a process that’s part of her arc. Her dad has called her that. But I think part of the genesis and the birth of a super hero and new identities is something that happens over time. I don’t see anybody calling her by a different name right away, but there may be a time when she takes on another name.
D23: It sounds like the Inhumans will—as other Marvel stories have evolved from page to screen—be a little different than they were in the comics? Will the Kree be involved?
A: We are building on the history. We have had blue people on our show before. We’ve talked about the Kree. And we’ve talked about it as a historical piece of this. I think we will find our own way forward through that, but we aren’t looking to reset anything.
D23: Some of the Inhuman rules—if they apply—such as not being able to be with members of other races, may not go over so well with someone like Skye who is a natural rebel. How will she deal?
A: I think that’s an interesting point. What I can comment about that is that if you look back at Skye’s mother and father, she was part of the group and he was not. There was conflict there. We have hinted a little at that. I think it will be interesting for us to explore. The beauty of something like the Inhumans is the metaphor at the center of it, which is, ‘What do you do with people who are different?’ As we travel into the Inhuman world, should they stay separate? Should they be accepted? Do they want to be accepted? Different people will have different points of view on that. And Skye is certainly not one to sit down and take whatever other people say.
D23: Edward James Olmos is playing Robert Gonzales—how soon will we see him?
A: He’ll be in episode 14 this season and we come back with episode 11, so pretty soon. It’s a nice little run. We’ve had him for a handful of episodes. It’s fun to bring on a character where people immediately go, ‘Oh, he’s a heavy.’ He brings a gravitas, not necessarily a seriousness, but there is a moral authority that comes with him. And bringing that character into our show and using him as a source of conflict and coming together has been exciting for everyone.
D23: And Blair Underwood is joining as Melinda May’s [Ming-Na Wen] ex. Will this help explain her somewhat detached approach to relationships?
A: I think that would be good storytelling if we did that! She’s such an enigma. She says so little, that to get any window into where she has come from, I think is really exciting. We’ve already shot an episode with Blair and watching them together is so much fun. And they went to college together at Carnegie Mellon so they’ve known each other for a very long time. It was a nice reunion for the pair of them.
D23: And we know Bobbi Morse has a secret. How will that unfold and affect the team?
A: Dare I say, in a fairly dramatic manner! The Bobbi/Mac secret is something that will be revealed fairly soon upon coming back. It will affect everyone involved. I’ll be interested to see how people react.
D23: Having Ward be HYDRA/crazy was a twist I don’t think a lot of people saw coming in the first season. Is there a chance he’s redeemable?
A: What I love is that there are people out there in both camps and they are vehement on both sides. Brett [Dalton] had brought such richness to the character. Sometimes we’ve led people down the path with, ‘Oh, it goes back to his brother. Oh, he has closure. Oh, he forgives his brother. That’s fantastic… Oh no, he killed his brother and his parents and set the house on fire.’ But maybe they deserved it—I don’t know? We want to continue to explore the twisted psychology of Agent Grant Ward.
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D23: Coulson killed Whitehall in the fall finale. But I feel like for a guy who lived for likely over 100 years, he sure died easy.
A: Even if he got shot twice in the heart?
D23: Coulson was shot and—we thought—killed in Avengers!
A: Yes, those things do happen. In the Marvel Universe we say anything can happen. Far stranger things have happened.
D23: And I expect we haven’t seen the last of Raina?
A: No, I don’t think so! The glimpse we got of her in episode 10 was certainly interesting.
D23: Skye pretty much looked the same. And Raina looked a little like a plucked chicken.
A: We wanted you to not quite be able to tell. All will be revealed.
D23: OK, Fitz and Simmons—will they have a chance to explore their relationship?
A: Here’s what’s been fun about Fitz-Simmons. When we started the show, in many ways they were one person. They were two halves of the same person. There was something lovely about that but there wasn’t a lot of conflict. It all existed in a contained world. By putting them through what happened at the end of last season—by breaking them into two individual people—I think they have become much more interesting as they try to find their way back, not to how it was, but back to it in some form or another.

Source: D23.com



Monday, February 23, 2015

Benedict Cumberbatch Plays Coy When Asked About DOCTOR STRANGE's Accent.

MTV was able to get a brief interview with Benedict Cumberbatch on the red carpet during the Academy Awards, and they asked him a question fans have been wondering since he was offiicially announced as the title character: what kind of accent will Doctor Strange have? Of course, Cumberbatch decided to play coy and not answer the question, so we still don't know.


Are you hoping he sticks with his accent or puts on an American accent?

I don't have a preference, honestly. I'm just excited to see him take on this role.

Friday, February 20, 2015

New Interview with Hayley Atwell for AGENT CARTER.

With the first season finale of AGENT CARTER set to air this Tuesday, February 24th on ABC, Marvel sat down to talk to Hayley about the experience of filming the show, Peggy's dynamic with Howard, and the finale. It is a rather short interview, but as always, Hayley provides wonderful answers to the questions answered.
Marvel.com: Now that you’ve reached the end of the road for this first season, how different was the experience than what you were expecting? When you started filming did it end up being exactly what you expected?
Hayley Atwell: I don’t know when I learned [this, but] the lesson is trying to not actually expect anything because that takes you out of the moment and stops you from navigating your way through a journey as you find it. So without trying to sound all high and mighty, I felt that I actually came to it from scratch. I didn’t know what I was necessarily doing, other than what I had done before in the other movies. I set out [seeing] this as an opportunity to explore another side of Peggy.
The main thing that I wanted to explore was the vulnerability and the humor of Peggy, which I didn’t feel there was really any chance to explore in the other films. I wanted to make her three-dimensional and relatable. I wanted to see her flaws, her idiosyncrasies. I wanted to see her frustrated, I wanted to see her grieving, being lonely, and the kind of social awkwardness that she had with other women [who] she couldn’t really get close to them because of the job that she was in and the cost of losing Steve. Those were the kind of things that I set out to explore, and I think, having finished the first season, it makes me feel very proud that the writers took those things on board. They decided to collaborate with me and listen and pay attention to what I was capable of doing as an actor and what my skillset was and based the show around that, if that makes sense.

Marvel.com: Yeah, of course, and part of what you’re talking about is the fact that Peggy had a whole new cast of characters to play off. What were some of the things that you thought each of the different characters brought out in Peggy that we hadn’t seen before specifically from their interactions, let’s say with Jarvis or with Thompson or Sousa?
Hayley Atwell: With Jarvis it’s a huge sense of wit, irony, sarcasm, banter, and cynicism, which is very, very English between them. That’s the one thing that they have in common, they’re fish out of water living where they live, in New York. Having each other to bounce off of intellectually, that was really fun.

With someone like Agent Thompson, the thing about him is that he’s so overtly sexist that she can see what the battle is between them a lot easier than, say, someone like Howard Stark who, although he’s essentially a horndog and a womanizer, respects her. But that means when he betrays her, it’s that much more personal and painful for her. Because Agent Thompson, she can just assume that he’s going to do those things and it makes it much easier. Kind of like that quote, “Keep your friends close but your enemies closer.” I think that’s very true with Peggy, it’s much easier for her to know how to react to people who are overtly against her, whereas when you have someone like Howard who is seemingly on her side but then betrays her so fully, she doesn’t quite know what to do with herself because it’s a game of psychological warfare.

Marvel.com: That dynamic with Howard was another thing that I wanted to talk about, because in the fourth episode it was such a strong scene between you two. What made that betrayal sting so much for Peggy?
Hayley Atwell: I think Howard found her Achilles heel in that the one thing that drives her. Like she says in the scene, “Thank you for reminding me what Steve Rogers was and what he stood for, and I’m not as good as he was but you reminded me how good I want to be.” That’s a huge indication about what drives Peggy as a character. She met this man called Steve Rogers who was the best man that she ever knew. When he died, she suffered the loss of that, but she’s also given a gift, which is the drive and the purpose to carry on his work. So when Howard comes back and betrays her with that, he’s someone who’s ultimately the only person who’s really meant to be on Peggy’s side, and he’s using the one thing that drives her against her. It’s kind of the ultimate betrayal that she’s ever experience in her life.
The stakes are really high and there’s a huge cost for her there. I remember thinking that in the scene, and that’s why I got so riled, because it’s one thing to be betrayed by an enemy or an acquaintance, but it’s another thing to be betrayed by a dear friend. I don’t think you could really, fully, know what that’s like until it happens to you, where you’re so overwhelmed by the pain of someone being so dark and cruel. That’s what fuels the emotion in that scene.


Marvel.com: At this point, do you feel as if there’s any sort of opportunity for Howard to win Peggy’s trust back in any way? Hayley Atwell: I do in the sense that I think Peggy is a better person than I am. She knows what Howard’s character is. She knows that despite the fact that he respects her and they consider themselves friends, he is a womanizer and there are many aspects of his lifestyle that she condemns and doesn’t agree with. Once the truth is out, it’s out, and she gives him the breathing space to explain himself and he says, “This is my background.” He steps up and says, “This is where I’ve come from, and I’ve learned to lie. I’ve learned that you can’t have anything in this world unless you’re a social climber. If you come from nothing, you learn to look out for yourself.”
Peggy’s a very compassionate person. She’s out to get the bad guys, but the more sophisticated the bad guys become, I think the more complicated her moral situation becomes, which is what makes her so fascinating to me. I think it’s as worse as it could possibly get with Howard, yet she also respects that he’s a genius. And he was there for her, he’s really the only person in the world that fully believes in her. She probably remembers that, despite the betrayal. It’s an extraordinary thing, I think she’s an amazing person. She’s better than I am, she’s better than most people I’ve met, too.

Marvel.com: Looking forward towards the finale, is there anything you can really about what’s coming up for Peggy as her first real solo mission wraps up?
Hayley Atwell: I think I can say that Peggy retains her dignity and her mission, and she finds an emotional closure that gives her great comfort but also gives her great drive to carry on to pursue what I think has become her destiny. What’s fantastic is that by episode four we realize that this isn’t a series that’s about finding Howard’s bad babies every episode. We found all the bad babies, and by episode four it took on a whole different world where Dottie is introduced to us, where Howard’s betrayal and Steve’s blood is introduced to us, and it becomes something a lot more different. I think that what the writers and directors have done so beautifully is to give the story some psychological depth as well as a really fast drive, plot-wise, to keep people entertained. The story we’re trying to tell is quite archetypal and quite mythological and I feel very proud to be a part of it.

Don’t miss the season finale of “Marvel’s Agent Carter” Tuesday, February 24 at 9:00 p.m. ET on ABC!
Source: Marvel.